Showing posts with label Director's Cut. Show all posts
Showing posts with label Director's Cut. Show all posts

Friday, 16 August 2019

Director's Cut: Microfilm is the Reel Deal

When I started working at ARCAT, one of the first collections I really had to understand and be able to use was the Parish Sacramental Records on microfilm. This resource contains the information needed to answer the most commonly asked questions received by our office.

In 1964, Baptism, Marriage, Confirmation, First Communion and Death records of each parish in the Archdiocese of Toronto were microfilmed so that copies of these records could be retained by the Chancery. The copies were updated several times between 1964 and 1983. In order to ensure that updates would occur regularly, the Archives began a five year cyclical microfilm program in 1993. The Parish Sacramental Records Microfilm Program ensures that the Archdiocese of Toronto is maintaining a backup copy of our most vital records. You can find out more about the program here.

Photograph of 1863 Baptisms in the original 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

Accession 2010-009

ARCAT Staff Photo


Photograph of the microfilm copy created in 1964 of the same page of 1863 Baptisms from the 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

ARCAT Staff Photo

Why Microfilm?

We are often asked why we still use microfilm technology for this program with the plethora of digital solutions available. The answers are simple: digital records are even more fragile than the original handwritten registers, and technology is constantly changing.

One analogy I use to illustrate digital fragility is this: imagine taking a pen with a sharp tip and deliberately slashing across a page of a paper sacramental register. You may have marred a letter or two, but overall the information on that page and in the rest of the book will still be completely legible. If you did the same thing to a strip of microfilm, you may have to repair the affected area and you will likely have trouble making out a word or two on the page, but again, overall the information is still intact. Now, imagine slashing a disc or other electronic storage media with a sharp object. You may have gotten lucky and only corrupted one record or one image of a whole page; but, the more likely scenario is that you have rendered the entirety of the information stored on that media inaccessible or indecipherable.

Furthermore, accessing the records becomes increasingly complicated as you upgrade technologies. So many things have to work in order to view electronic records, with the most basic need being electricity; in a power outage, microfilm could, if necessary, be read with a light source and a magnifying glass. The equipment and programs used to create, store, and use digital material change very rapidly and older technologies quickly become obsolete. To save information long term, it needs to be constantly migrated to new digital formats and new hardware. So, if you were to scan a baptism record from today, there is no guarantee that the information from the digital copy will be accessible by the time the child is requesting a copy for their First Communion, let alone their Confirmation or their Marriage perhaps 20 years from now. Sometimes, as in the case of microfilm technology, the simpler solution is the longest lasting.

As with most things in archives (and life for that matter!), context is key. The purpose for creating the copy needs to be the first thing you consider when deciding the method you will use for your program or project. While electronic copies of the records do indeed facilitate the sharing of information for day-to-day administrative purposes, they are not the best solution for long-term storage. The primary purpose of our Parish Sacramental Records Microfilm Program is to create a backup copy of our organization's most vital records, so the copy needs to be considered as stable and viable in the long-term as the original. Microfilm will easily last as long as the original sacramental registers, and it is even harder to destroy than paper.

Another benefit of microfilm is that you are not limited to that format alone once the process is complete. Digitizing microfilm is a fairly simple process with the right scanning equipment. There are dioceses running similar programs who have chosen to have their vendor create both a microfilm copy of the sacramental records as the vital records backup and digital images for simplicity of access at the same time.

One of the most satisfying outcomes of this program is that the Archives staff are able to use the microfilm copies to facilitate searches for sacramental records when individuals don't know where their sacraments took place. For more information on how we conduct searches for a sacramental record, please see here. Our reference statistics consistently show that sacramental records searches make up almost 1/3 of our total reference requests and nearly 50% of our external reference requests.

So, the next time you think analog technology is dead… just remember that when archivists are thinking in the long-term, we aren’t thinking about 5 or 10 years from now. We are considering how to keep important information accessible for as long as possible: as in 500 or 10,000 years from now!


Gillian Hearns, Director of Archives and Privacy Officer, viewing the microfilm.

ARCAT Staff Photo 





Friday, 11 January 2019

Director's Cut: 1914 Album - Archdiocese of Toronto property record

One of my favourite items in our archival holdings is a photo album from 1914 featuring exterior shots of many of the churches in the Archdiocese of Toronto. We've shared several photographs from this album in various posts.

Collage of photos previously scanned from PH 31P/227AL. Includes: Our Lady of Mount Carmel Parish, Toronto (01); St. Mary's Parish, Toronto (03); St. Anthony's Parish, Toronto (04); Holy Family Parish, Toronto (06); St. Helen's Parish and rectory, Toronto (07); St. Michael's Hospital, Toronto (08); St. Cecilia's Parish, Toronto (11); St. Patrick's Parish, Toronto (13); House of Providence, Toronto (17); Loretto Academy, Toronto (19); St. Stanislaus Parish, Toronto (21); Sacred Heart Orphanage, Sunnyside, Toronto (22); St. Michael's Cathedral rectory, Toronto (23); St. Michael's Cathedral, Toronto (24); St. Michael's School, Toronto (25); St. Clare Parish, Toronto (29); St. Ann's Parish, Toronto (35); St. Joseph's College School, Toronto (37); St. Catharines School, St. Catharines (40); St. Joseph's College School and Convent, Toronto (43); and St. Paul's Parish and rectory, Toronto (45).





This photo album was commissioned in 1914 and reflects the geographical boundaries of the Archdiocese at that time. Each page consists of one representative photograph of the building, mounted on a fabric backing. Buildings include churches, schools and institutions owned by or associated with the Archdiocese of Toronto. The album is not a comprehensive property survey, however, as some of the existing churches within the city of Toronto and the majority of rural churches were not photographed for this project. In total, there are 45 black & white or sepia tone photographs.

How PH 31P/227AL is being preserved.

ARCAT Staff Photo

Typewritten in blue ink on the fabric support of each print is the name or location of the photographed building. To enhance the long-term preservation of the photographs, the album was taken apart and the photos were placed in individual archival sleeves. Unfortunately the original cover was not photographed before it was discarded, but included the title "Archdiocese of Toronto, CANADA".

This album is credited to Pringle and Booth of Toronto, and was apparently a feature of the waiting room at the former location of the Chancery Office at 355 Church Street. When the offices were moved to our current location at 1155 Yonge Street, someone wisely decided that this album should be preserved in the Archives.

Here are a few of the photographs from outside the city of Toronto that we had not scanned until now:

St. Gregory the Great Parish, Oshawa

PH 31P/227AL (31)
ARCAT Photo Collection



St. Ann's Parish, Penetanguishene

PH 31P/227AL (27)
ARCAT Photo Collection



Friday, 26 October 2018

Director's Cut: Vatican II rings and certificates

As the Director of Archives at the Archdiocese of Toronto I am often complimented on the consistently fabulous posts of The Archivist's Pencil. I am always quick to point out that I myself have written very few and the accolades for these wonderfully composed pieces must go to my colleagues. I thought it might be nice to give them a little break every now and again and share with our readers some of my favourite things in our holdings.

My first post in the Director's Cut series features an artifact and its corresponding documentation... an archivist's dream!

When I began working here I quickly learned that I needed to educate myself on the Second Vatican Council, which is often referred to as Vatican II. Although I was vaguely aware that changes to the way Mass was celebrated had been made at some point in my parents' lifetime, my studies of history hadn't delved much into the post-World War II era, so I was largely ignorant of this major event in the history of the Catholic Church and needed to know more about it to understand the context of a large number of the records in our holdings. If you too would like to educate yourself, you can start with the documents of the Second Vatican Council which can be viewed on the Vatican's website here.

October 28 marks the 60th Anniversary of the election of St. John XXIII as Pope. His Holiness announced very early in his papacy that he intended to convene the Ecumenical Council. Several of the former, current and future auxiliary bishops, archbishops and cardinals that served the Archdiocese of Toronto attended sessions of the Council. Listed among the Council Fathers are: Auxiliary Bishop Francis Allen, G. Emmett Cardinal Carter, Auxiliary Bishop Marrocco, James Cardinal McGuigan, Archbishop Philip Pocock and Auxiliary Bishop Benjamin Webster. You can view a full list of bishops who attended each of the four sessions here.

At the closing of the Second Ecumenical Council in December 1965, St. Paul VI gifted each of the Council Fathers a commemorative certificate and gold ring.

AF.103 ARCAT Artifact Collection and PO AA41.023 Archbishop Pocock Fonds


Another view of AF.103
ARCAT Artifact Collection

The Vatican II Council ring is made entirely of yellow gold. The ring shaped like a mitre (bishop's hat) with a point at the top. Depicted are three arched niches: Christ in the centre; St. Peter on the left; St. Paul on the right. The artist’s signature is inscribed, “E. Manfrini”. St. Paul VI’s coat of arms in stamped on the inverse of the band.

PO AA41.023
Archbishop Philip F. Pocock Fonds

Accompanying the ring was this commemorative certificate from Pope Paul VI. It attests in Latin to Archbishop Pocock's participation at Vatican II and expresses the hope that the message of the Second Vatican Council will be conveyed to all Catholics.  We have similar certificates in our collection for Auxiliary Bishop Francis Allen (AF.135a), G. Emmett Cardinal Carter (AF.009) and James Cardinal McGuigan (AF.135b).

Cardinal Carter wore his Vatican II Council ring (AF.361) as his regular day-to-day episcopal ring. His Eminence's ring in on display at the G. Emmett Cardinal Carter Library at King's University College in London, Ontario where it is on permanent loan.

AF.361 - Card. Carter's Vatican II ring
ARCAT Artifact Collection