Showing posts with label Baptism. Show all posts
Showing posts with label Baptism. Show all posts

Friday, 16 August 2019

Director's Cut: Microfilm is the Reel Deal

When I started working at ARCAT, one of the first collections I really had to understand and be able to use was the Parish Sacramental Records on microfilm. This resource contains the information needed to answer the most commonly asked questions received by our office.

In 1964, Baptism, Marriage, Confirmation, First Communion and Death records of each parish in the Archdiocese of Toronto were microfilmed so that copies of these records could be retained by the Chancery. The copies were updated several times between 1964 and 1983. In order to ensure that updates would occur regularly, the Archives began a five year cyclical microfilm program in 1993. The Parish Sacramental Records Microfilm Program ensures that the Archdiocese of Toronto is maintaining a backup copy of our most vital records. You can find out more about the program here.

Photograph of 1863 Baptisms in the original 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

Accession 2010-009

ARCAT Staff Photo


Photograph of the microfilm copy created in 1964 of the same page of 1863 Baptisms from the 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

ARCAT Staff Photo

Why Microfilm?

We are often asked why we still use microfilm technology for this program with the plethora of digital solutions available. The answers are simple: digital records are even more fragile than the original handwritten registers, and technology is constantly changing.

One analogy I use to illustrate digital fragility is this: imagine taking a pen with a sharp tip and deliberately slashing across a page of a paper sacramental register. You may have marred a letter or two, but overall the information on that page and in the rest of the book will still be completely legible. If you did the same thing to a strip of microfilm, you may have to repair the affected area and you will likely have trouble making out a word or two on the page, but again, overall the information is still intact. Now, imagine slashing a disc or other electronic storage media with a sharp object. You may have gotten lucky and only corrupted one record or one image of a whole page; but, the more likely scenario is that you have rendered the entirety of the information stored on that media inaccessible or indecipherable.

Furthermore, accessing the records becomes increasingly complicated as you upgrade technologies. So many things have to work in order to view electronic records, with the most basic need being electricity; in a power outage, microfilm could, if necessary, be read with a light source and a magnifying glass. The equipment and programs used to create, store, and use digital material change very rapidly and older technologies quickly become obsolete. To save information long term, it needs to be constantly migrated to new digital formats and new hardware. So, if you were to scan a baptism record from today, there is no guarantee that the information from the digital copy will be accessible by the time the child is requesting a copy for their First Communion, let alone their Confirmation or their Marriage perhaps 20 years from now. Sometimes, as in the case of microfilm technology, the simpler solution is the longest lasting.

As with most things in archives (and life for that matter!), context is key. The purpose for creating the copy needs to be the first thing you consider when deciding the method you will use for your program or project. While electronic copies of the records do indeed facilitate the sharing of information for day-to-day administrative purposes, they are not the best solution for long-term storage. The primary purpose of our Parish Sacramental Records Microfilm Program is to create a backup copy of our organization's most vital records, so the copy needs to be considered as stable and viable in the long-term as the original. Microfilm will easily last as long as the original sacramental registers, and it is even harder to destroy than paper.

Another benefit of microfilm is that you are not limited to that format alone once the process is complete. Digitizing microfilm is a fairly simple process with the right scanning equipment. There are dioceses running similar programs who have chosen to have their vendor create both a microfilm copy of the sacramental records as the vital records backup and digital images for simplicity of access at the same time.

One of the most satisfying outcomes of this program is that the Archives staff are able to use the microfilm copies to facilitate searches for sacramental records when individuals don't know where their sacraments took place. For more information on how we conduct searches for a sacramental record, please see here. Our reference statistics consistently show that sacramental records searches make up almost 1/3 of our total reference requests and nearly 50% of our external reference requests.

So, the next time you think analog technology is dead… just remember that when archivists are thinking in the long-term, we aren’t thinking about 5 or 10 years from now. We are considering how to keep important information accessible for as long as possible: as in 500 or 10,000 years from now!


Gillian Hearns, Director of Archives and Privacy Officer, viewing the microfilm.

ARCAT Staff Photo 





Friday, 1 April 2016

I Baptize You With Water

If you went to Easter Vigil mass this past Saturday, you may have witnessed some baptisms. We were inspired to highlight some of the baptisteries and baptismal fonts from around the archdiocese.

Baptism is a central part of the Catholic experience. Through this sacrament we are cleansed of sin, welcomed into the Church family, and reborn into new life in the Holy Spirit. Because of baptism's importance, many churches have a special area known as a baptistery within the sanctuary, which is a special area for the baptismal font. The font is a basin or pool of water that can appear in many different forms, as shown below.

The first baptisms would have happened in places like the River Jordan, where Jesus was baptized. A few centuries later, when churches were built, baptisms took place in nearby but separate baptisteries. Some examples still survive in Europe, including the Baptistery of St. John Lateran in Rome, the Baptistery of St. John in Florence, and the Baptistery of St. John in Poitiers. At that time, people were still immersed in the water during the sacrament. Eventually, when water was sprinkled or poured on the candidate, a smaller font was able to be used and the rite was moved into the sanctuary.

Since the Second Vatican Council, there has been a trend towards placing larger immersion pools in the sanctuary. As Monsignor M. Francis Mannon puts it, "Baptism by immersion makes tangible the theological motif of baptism as going down into the waters of death and rising again with Christ; it underscores the Exodus theme of crossing the Red Sea from slavery to freedom; it provides visible expression of baptism as encounter with the tomb of death, and the womb of new life."

The fonts shown below reflect different aesthetics and artistic sensibilities, but many of the same symbols are used. Fonts are often displayed with the paschal candle, which is representative of the light of Christ coming to the world. During the baptism, a smaller candle is lit from the paschal candle and presented to the newly baptized to represent the reception of the gift of the Holy Spirit.

Most of the images below are from a series of photos that were taken in 1986:

All Saints Parish, Etobicoke
1986
PH78/3S
Images of the Holy Family are a common motif for baptisteries.
Blessed Sacrament Parish, Toronto
1986
PH 78/6S
Fonts are frequently octagonal in shape. In Christianity, the number eight represents new life.
Holy Rosary Parish, Toronto
1986
PH78/24S
The baptism of Jesus is often depicted in baptisteries. In Matthew 3:16-17 we read: "As soon as Jesus was baptized, he went up out of the water. At that moment heaven was opened, and he saw the Spirit of God descending like a dove and alighting on him. And a voice from heaven said, “This is my Son, whom I love; with him I am well pleased.”
Immaculate Conception Parish, Port Perry
1986
PH 78/27S
Images evoking water and aquatic life are often seen in baptisteries.
Our Lady of the Assumption Parish, Toronto
1986
PH 78/35S
Some fonts allow for flowing water, which recalls early baptisms in natural bodies of water.
Our Lady of Fatima Parish, Brampton
1986
PH 78/37S
The imagery of the dove in this baptistery also comes from the baptism of Jesus, when the holy spirit descended in that form.
Our Lady of Mount Carmel Parish, Toronto
1986
PH 78/S
Our Lady of Peace Parish, Toronto
1986
PH 78/46S
St. Clare's Parish, Toronto
1986
PH 78/88S
Baptistery windows.
St. Joan of Arc Parish, Toronto
1986
PH 78/112S
Many parishes are now using immersion pools, which often have constantly flowing water. They serve as a strong reminder of our connection to Christ through baptism.
St. Joseph's Parish, Mississauga
1992
PH 78/125S
Sts. Martha and Mary Parish, Mississauga
1986
PH 78/145S
St. Patrick's Parish, Toronto
1986
Ph 78/164S
St. Paul's Basilica, Toronto
1986
PH 78/173S
St. Clare of Assisi Parish, Woodbridge
2008
Cultural Heritage Inventory 

Bonus: The immersion pool at St. Francis Xavier Parish, Mississauga:
Photo from the St. Francis Xavier Parish website.


Which is your favourite?