Showing posts with label Archdiocese of Toronto. Show all posts
Showing posts with label Archdiocese of Toronto. Show all posts

Friday, 16 August 2019

Director's Cut: Microfilm is the Reel Deal

When I started working at ARCAT, one of the first collections I really had to understand and be able to use was the Parish Sacramental Records on microfilm. This resource contains the information needed to answer the most commonly asked questions received by our office.

In 1964, Baptism, Marriage, Confirmation, First Communion and Death records of each parish in the Archdiocese of Toronto were microfilmed so that copies of these records could be retained by the Chancery. The copies were updated several times between 1964 and 1983. In order to ensure that updates would occur regularly, the Archives began a five year cyclical microfilm program in 1993. The Parish Sacramental Records Microfilm Program ensures that the Archdiocese of Toronto is maintaining a backup copy of our most vital records. You can find out more about the program here.

Photograph of 1863 Baptisms in the original 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

Accession 2010-009

ARCAT Staff Photo


Photograph of the microfilm copy created in 1964 of the same page of 1863 Baptisms from the 1850-1901 Baptism and Marriage Register of St. John Chrysostom Parish, Newmarket

ARCAT Staff Photo

Why Microfilm?

We are often asked why we still use microfilm technology for this program with the plethora of digital solutions available. The answers are simple: digital records are even more fragile than the original handwritten registers, and technology is constantly changing.

One analogy I use to illustrate digital fragility is this: imagine taking a pen with a sharp tip and deliberately slashing across a page of a paper sacramental register. You may have marred a letter or two, but overall the information on that page and in the rest of the book will still be completely legible. If you did the same thing to a strip of microfilm, you may have to repair the affected area and you will likely have trouble making out a word or two on the page, but again, overall the information is still intact. Now, imagine slashing a disc or other electronic storage media with a sharp object. You may have gotten lucky and only corrupted one record or one image of a whole page; but, the more likely scenario is that you have rendered the entirety of the information stored on that media inaccessible or indecipherable.

Furthermore, accessing the records becomes increasingly complicated as you upgrade technologies. So many things have to work in order to view electronic records, with the most basic need being electricity; in a power outage, microfilm could, if necessary, be read with a light source and a magnifying glass. The equipment and programs used to create, store, and use digital material change very rapidly and older technologies quickly become obsolete. To save information long term, it needs to be constantly migrated to new digital formats and new hardware. So, if you were to scan a baptism record from today, there is no guarantee that the information from the digital copy will be accessible by the time the child is requesting a copy for their First Communion, let alone their Confirmation or their Marriage perhaps 20 years from now. Sometimes, as in the case of microfilm technology, the simpler solution is the longest lasting.

As with most things in archives (and life for that matter!), context is key. The purpose for creating the copy needs to be the first thing you consider when deciding the method you will use for your program or project. While electronic copies of the records do indeed facilitate the sharing of information for day-to-day administrative purposes, they are not the best solution for long-term storage. The primary purpose of our Parish Sacramental Records Microfilm Program is to create a backup copy of our organization's most vital records, so the copy needs to be considered as stable and viable in the long-term as the original. Microfilm will easily last as long as the original sacramental registers, and it is even harder to destroy than paper.

Another benefit of microfilm is that you are not limited to that format alone once the process is complete. Digitizing microfilm is a fairly simple process with the right scanning equipment. There are dioceses running similar programs who have chosen to have their vendor create both a microfilm copy of the sacramental records as the vital records backup and digital images for simplicity of access at the same time.

One of the most satisfying outcomes of this program is that the Archives staff are able to use the microfilm copies to facilitate searches for sacramental records when individuals don't know where their sacraments took place. For more information on how we conduct searches for a sacramental record, please see here. Our reference statistics consistently show that sacramental records searches make up almost 1/3 of our total reference requests and nearly 50% of our external reference requests.

So, the next time you think analog technology is dead… just remember that when archivists are thinking in the long-term, we aren’t thinking about 5 or 10 years from now. We are considering how to keep important information accessible for as long as possible: as in 500 or 10,000 years from now!


Gillian Hearns, Director of Archives and Privacy Officer, viewing the microfilm.

ARCAT Staff Photo 





Friday, 15 March 2019

The Archdiocese of Toronto on the World Wide Web

 "...Now we have the Internet. The content of what we wish to tell remains the same: Jesus Christ and his Church."

These were the words of Cardinal Ambrozic when the Archdiocese of Toronto officially launched its first website back in 1999.

March 12th of this week marked the 30th anniversary of the World Wide Web and Tim Berners-Lee first model of a hyperlinked, global information system. We thought it would be a fun opportunity to take a look back at the history of our online presence.

The Archdiocese of Toronto announced its website on December 16, 1999. In the press release announcing its launch, the Archdiocese described how archtoronto.org "offers visitors not only information on the parishes, social and other services, [but also] public statements and activities of the Archdiocesan community."

Here is what Archtoronto.org first looked like:

 Archtoronto.org Home page, 1999-mid 2000s

Captured on June 2004 by the Internet Archive

The website got a much needed update in 2006:

Archtoronto.org Home Page, 2006-2013

Captured January 2010 by the Internet Archive

And another in 2013:

Archtoronto.org Home Page, 2013-2015

Captured October 2013 by the Internet Archive

And was most recently updated in 2015:

Archtoronto.org Home Page, 2015-present

Captured June 2015 by the Internet Archive

The screenshots of our past websites were all taken from The Internet Archive Wayback Machine. The Internet Archive has saved archtoronto.org 496 times between October 13, 1999 and March 15, 2019. You can learn more about how the Internet Archive works, and the services they provide, here.

Here's to 30 more years of the World Wide Web!

Friday, 11 January 2019

Director's Cut: 1914 Album - Archdiocese of Toronto property record

One of my favourite items in our archival holdings is a photo album from 1914 featuring exterior shots of many of the churches in the Archdiocese of Toronto. We've shared several photographs from this album in various posts.

Collage of photos previously scanned from PH 31P/227AL. Includes: Our Lady of Mount Carmel Parish, Toronto (01); St. Mary's Parish, Toronto (03); St. Anthony's Parish, Toronto (04); Holy Family Parish, Toronto (06); St. Helen's Parish and rectory, Toronto (07); St. Michael's Hospital, Toronto (08); St. Cecilia's Parish, Toronto (11); St. Patrick's Parish, Toronto (13); House of Providence, Toronto (17); Loretto Academy, Toronto (19); St. Stanislaus Parish, Toronto (21); Sacred Heart Orphanage, Sunnyside, Toronto (22); St. Michael's Cathedral rectory, Toronto (23); St. Michael's Cathedral, Toronto (24); St. Michael's School, Toronto (25); St. Clare Parish, Toronto (29); St. Ann's Parish, Toronto (35); St. Joseph's College School, Toronto (37); St. Catharines School, St. Catharines (40); St. Joseph's College School and Convent, Toronto (43); and St. Paul's Parish and rectory, Toronto (45).





This photo album was commissioned in 1914 and reflects the geographical boundaries of the Archdiocese at that time. Each page consists of one representative photograph of the building, mounted on a fabric backing. Buildings include churches, schools and institutions owned by or associated with the Archdiocese of Toronto. The album is not a comprehensive property survey, however, as some of the existing churches within the city of Toronto and the majority of rural churches were not photographed for this project. In total, there are 45 black & white or sepia tone photographs.

How PH 31P/227AL is being preserved.

ARCAT Staff Photo

Typewritten in blue ink on the fabric support of each print is the name or location of the photographed building. To enhance the long-term preservation of the photographs, the album was taken apart and the photos were placed in individual archival sleeves. Unfortunately the original cover was not photographed before it was discarded, but included the title "Archdiocese of Toronto, CANADA".

This album is credited to Pringle and Booth of Toronto, and was apparently a feature of the waiting room at the former location of the Chancery Office at 355 Church Street. When the offices were moved to our current location at 1155 Yonge Street, someone wisely decided that this album should be preserved in the Archives.

Here are a few of the photographs from outside the city of Toronto that we had not scanned until now:

St. Gregory the Great Parish, Oshawa

PH 31P/227AL (31)
ARCAT Photo Collection



St. Ann's Parish, Penetanguishene

PH 31P/227AL (27)
ARCAT Photo Collection



Friday, 5 October 2018

Hamilton joins the Blogosphere




We are pleased to share that the Diocese of Hamilton Library & Archives launched a blog last week, with a post entitled, A little bit about “our shelves…”

And nothing - we mean nothing - warms our hearts like a punny title.

Congratulations to the team at the Bishop Farrell Library & Archives! We look forward to following you.

It's been five years since this impressive repository opened its renovated facilities next to Cathedral Basilica of Christ the King. It's worth a visit - both online and on-site.

***

Toronto and Hamilton dioceses have a special relationship, being part of the same ecclesiastical province. In the Catholic Church, a province consists of a metropolitan archdiocese and one or more suffragan dioceses headed by diocesan bishops. Toronto is the metropolitan see of the ecclesiastical province of the Archdiocese of Toronto, which is why our ordinary is called an archbishop. Hamilton, along with London, St. Catharines and Thunder Bay are the suffragan dioceses. The insignia of a metropolitan archbishop is the pallium.

Dioceses comprising a province are usually close geographically, often ceding territory to each other as new dioceses are erected and elevated. The Diocese of Toronto was created by the division of the Diocese of Kingston in 1841. Toronto was divided in 1856 by the erection of the dioceses of Hamilton and London, and again in 1958 with the created of the Diocese of St. Catharines. 



Boundaries of the See of Toronto over time. Graphic created for the 175th anniversary of the Archdiocese of Toronto in 2016.

The dioceses of Toronto and Hamilton have shared a border since 1856.


One of the responsibilities of the metropolitan archbishop is to call and preside over provincial councils. These assemblies of bishops are held to discuss ecclesiastical affairs and enact disciplinary regulations for the province. Toronto was a suffragan diocese of Québec until it was raised to an archdiocese in 1870. After being elevated to archbishop, Most Rev. John Joseph Lynch of Toronto called the First Provincial Council in 1875, which included Bishop Crinnon of Hamilton, Bishop Walsh of London, Bishop Jamot of Peterborough, and Bishop Duhamel of Ottawa. In the 1880s, both Ottawa and Kingston were elevated to metropolitan sees and provinces shifted accordingly.  

Photographs Special Collection, PH 04/10P

Photograph labelled "Fathers and Theologians of the first R.C. Prov. Council at Toronto, 1875."

Participants of the First Provincial Council of the Archdiocese of Toronto, seated in front of St. Michael's Cathedral Basilica, Toronto. Seated, left to right: Bishop Crinnon, second bishop of Hamilton; Bishop Walsh, London; Archbishop Lynch, Toronto; Bishop Jamot, Peterborough; Bishop Duhamel, Ottawa. Toronto was raised to a metropolitan see in 1870, making Lynch an archbishop. The four other bishops represented the suffragan dioceses comprising the province at that time. In the 1880s, both Ottawa and Kingston were elevated to metropolitan sees and provinces shifted accordingly. The suffragan dioceses are currently Hamilton, London, St. Catharines and Thunder Bay.


Bringing the focus back to Hamilton, we offer a great photograph from our holdings of the episcopal ordination of Most. Rev. Joseph Ryan, the sixth and longest serving bishop of the Diocese of Hamilton. 

And now we'll leave the blogging about Hamilton to our Hamiltonian colleagues!

Photographs Special Collection, PH 35R/08P

Group photograph on the steps of Christ the King Cathedral Basilica, Hamilton, at the episcopal ordination of Bishop Ryan of Hamilton, 19 October 1937. Front row episcopacy (wearing mitres) from left: Bishop Joseph A. O'Sullivan of Charlottetown and Bishop John T. Kidd of London (principal co-consecrators); Bishop Joseph F. Ryan: Archbishop John T. McNally of Halifax (principal consecrator). Archbishop James McGuigan of Toronto is right of Archbishop McNally.


Sunday, 13 August 2017

Record of the Week: Archbishop Walsh's episcopal ring?




Provenance is a fundamental organizing principle in archives. It refers to the individual, family, or organizational body that created or accumulated material in a collection. The principle of provenance dictates that records of the same origins be kept together to preserve their context, rather than grouping items of various origins together by subject (the way books are catalogued) or medium (as artworks may be).

As provenance is intrinsic to our profession, it is very frustrating to be faced with an item whose previous owner cannot be identified. With textual records, there are often clues, but an artifact without accompanying documentation can be a real mystery.

Last year, custodianship of some of our former bishops' rings was transferred from the Chancery Office to the Archives. Unfortunately, it was not clear as to which of our bishops these rings had belonged.

A Roman Catholic bishop receives an episcopal ring when he is consecrated. Aside from those personally purchased or gifted, bishops' rings belong to the Church. The ordinary of a See inherits the previous bishop's ring collection, which is held in trust. A bishop may be buried with a ring that he owned, but all those belonging to the Church must be returned upon his death. Bishops may also choose an episcopal ring formerly worn by a predecessor, which can further obscure its provenance.

Accession 2016-047

Rose gold episcopal ring with a large amethyst, flanked on either shoulder with a mitre, cross and crozier.
On the gemstone is etched a dove holding a branch embellished with tiny diamonds.
Accession 2016-047

Inside the band is engraved: Nov. 10-1867 and Nov. 10-1890


From this tradition, we can conclude that the episcopal rings transferred to the archives were likely worn by a bishop that retired or died in Toronto. One of the rings in question has two dates engraved on the band: "Nov. 10-1867 and Nov. 10-1890". The former is a significant date to only one of our ordinaries: Archbishop John Walsh was consecrated bishop on that day, after being appointed Bishop of Sandwich (i.e. Windsor), the former seat of the Diocese of London, Ontario.

Case closed? Not quite.

Most Reverend Walsh was appointed Archbishop of Toronto on August 13, 1889 (coincidentally, 128 years ago today) and installed here on November 27, 1889. Therefore, the second date seems to have little significance to Archbishop Walsh. The word "and" in the engraving suggests (at least to me) that the dates refer to the same person rather than a subsequent wearer.  In any case, November 10, 1890 does not pertain to any of our other bishops.

To determine if the ring was ever worn by Walsh, we checked his official portraits taken in London and in Toronto. Unfortunately, it's not a match. The ring in the photos seems to have a large central stone encircled by a halo of small diamonds. The setting is lower than that of our mystery ring.

ARCAT Photographs Collection, PH 05/01P

Carte de visite portrait of Most Reverend Walsh, Bishop of Sandwich (and then London, when he move the seat of his See back there) by Frank Cooper, Artistic Photographer, Dundas St., London, Ontario [ca. 1880?]

ARCAT Photographs Collection, PH 05/02P

Carte de visite portrait of Most Reverend Walsh, Bishop of Sandwich, by Edy Bros. photographers, 214 Dundas St., London, Ontario [ca. 1870?]

ARCAT Photographs Collection, PH 05/13P

Portrait of Most Reverend John Walsh, Archbishop of Toronto, seated, and Apostolic Delegate to Canada, Cardinal Rafael Merry del Val, who was a Monsignor at the time. Taken in Toronto, 1897. The sign under the chair states:

"Entered according to Act of the Parliament of Canada, in the year 1897, by Frederick Lyonde, at the Department of Agriculture"

The mystery ring is certainly larger and more ornate that the ring he is wearing in the portraits, which is probably the ring from his consecration gifted by the Toronto clergy. Most Reverend Walsh began his career in Toronto and was much respected by his fellow priests. According to the Jubilee Volume 1842-1892 of Archbishop Walsh and the Archdiocese of Toronto, the clergy presented "a mitre, crozier, pectoral cross and ring" to "their dearly beloved brother."

Though the photos do not confirm that our mystery ring belonged to Archbishop Walsh, they do not remove the possibility either. Bishops may own multiple episcopal rings, and they are a common gift. Fancier ones may be saved for special occasions rather than everyday use.

One could speculate that he was given this ring to mark his elevation to archbishop on the anniversary of his consecration date. November 10, 1890 would have marked the first anniversary of Walsh's consecration that he celebrated as Archbishop of Toronto. Although it would have been more appropriate to bestow an archbishop's ring on Walsh at his Installation Mass in 1889 (or, for that matter, in the Jubilee year of 1892 when the diocese turned 50 and Walsh celebrated 25 years of ordination), it is not completely outside the realm of possibility.

Until further information comes to light, that frustrating question mark will stand beside the issue of provenance.

To read about provenancial mysteries that we've actually solved, see these former posts:

Record of the Week: "the famous cameo ring"
Record of the Week: the mysterious Death Mask
Record of the Week: Cardinal McGuigan Gets the Key to the City
***We are also happy to announce this week that the short biographies of our former bishops and archbishops (which used to be hosted on ARCAT's now defunct website) have been migrated to the Archdiocese of Toronto's site. You can read more about Archbishop Walsh here.***

Friday, 17 March 2017

A Real Work of Arch

In December 1841, the diocese of Toronto was created out of the Archdiocese of Kingston. It remained a diocese for over 28 years. During that time, the diocese had three bishops, including John Joseph Lynch, who became the third Bishop of Toronto in April 1860 after the resignation of Bishop de Charbonnel. On March 18, 1870, at Vatican Council I, Pope Pius IX raised the See of Toronto to metropolitan status, making it an archdiocese and thereby elevating Lynch to first Archbishop of Toronto. To celebrate this anniversary, this week's blog features some documents relating to these two special events.

Lynch had written to a couple of cardinals in 1865 about why Toronto should be raised to a metropolitan see. A few years later, he wrote to Pope Pius IX requesting the same:

Letter from (at that time) Bishop Lynch to Pope Pius IX, written in Latin,
September 21, 1868

L RC50.18
Archbishop Lynch fonds


Bishops from a number of dioceses also appealed together to the Holy See for the See of Toronto be raised to metropolitan status:

Copy of a letter from the bishops of Montreal, Ottawa, Hamilton, [unknown], Toronto, and Sandwich
to the Holy See, written in Latin,
January 29, 1870

L RC52.06
Archbishop Lynch fonds


We thought it would be fun to share the beautiful full-page watermark on the second page of the bishops' letter:

L RC52.06
Archbishop Lynch fonds


It is unclear how much influence, if any, the letters from Bishop Lynch and others had on the pope's decision to raise the See of Toronto to metropolitan dignity, but it became official with this papal bull:

March 18, 1870

L RC52.09
Archbishop Lynch fonds


Here is the papal bull of Lynch's nomination as first Archbishop of Toronto:

March 18, 1870

L RC52.10
Archbishop Lynch fonds


Archbishop Lynch wrote a pastoral letter while in Rome regarding the erection of the Archiepiscopal See (Archdiocese) of Toronto:

First page of Abp. Lynch's pastoral letter,
April 6, 1870

L AA11.05(a)
Archbishop Lynch fonds


Archbishop Lynch's official induction was in September 1870. He sent a copy of the letter below to the Prime Minister, the Premier of Ontario, and the Lieutenant Governor of Ontario to inform them of the news:

St. Michael's Palace
Sept. 15, 1870

Excellency
I have the honor to inform you that his Holiness Pope Pius IX has been pleased to elevate me to the dignity of Archbishop of the See of Toronto. This however will cause no modification with regard to the Roman C.[atholic] Episcopal Corporation for the diocese.
I have the honor to be
Your Excellencies
Most obt. servt.

Copies of the above were sent to Sir John A. Macdonald, Hon. J. S. Macdonald, Hon. W. P. Howland, Lieut. Gov.

L AH15.07
Archbishop Lynch fonds


Lynch received a reply from Hon. W. P. Howland, congratulating him on his promotion:

Government House
Toronto. 16th September 1870

My Lord Archbishop
I have the honor to acknowledge your Grace's letter of the 15th inst. acquainting me that His Holiness Pope Pius IX has been pleased to elevate you to the dignity of Archbishop of the See of Toronto, upon which event permits me to render to Your Grace my hearty congratulations.
I have the honor to remain Your Grace's most obedient servant
W. P. Howland
Lt. Governor

L AH15.02
Archbishop Lynch fonds

Lynch remained Archbishop until his death on May 12, 1888, and is buried in the garden of St. Michael's Cathedral in Toronto.

The Archdiocese of Toronto is having a year-long celebration of its 175th anniversary with many activities. For more information, please see the media release.

Friday, 16 December 2016

The Archdiocese of Toronto: Celebrating 175 Years of Faithful Service

On Saturday, December 17, 2016, the Archdiocese of Toronto will reach 175 years of existence. This incredible milestone will be celebrated throughout the coming year. Read this media release for more information, and check the Archdiocese of Toronto website often for upcoming events.

The Diocese of Toronto was erected and its first bishop Michael Power was named by two briefs issued by Pope Gregory XVI on December 17, 1841.

Brief of Pope Gregory XVI to the Most Rev. Michael Power appointing him the bishop of the new See of Upper Canada.

1841
P RC23.01
Bishop Power Fonds

Brief of Pope Gregory XVI erecting a new See in Upper Canada and allowing Michael Power to choose the episcopal city.

1841
 P RC23.02
Bishop Power Fonds

In honour of this significant anniversary, we thought a compare-and-contrast exercise might be in order.

Popes Then and Now:
1841: Pope Gregory XVI

Painting by Paul Delaroche, 1843
via Wikimedia Commons  



Pope Francis Celebrates Concluding Mass in Philly, September 27, 2015

Photo by Jeffrey Bruno is licensed under CC BY-NC 2.0


(Arch)Diocesan Boundaries Then and Now:

1841:

Bishop Power described the original boundaries of the diocese in his first Pastoral Letter dated May 8, 1842. The full letter is posted on the Our Faith Alive blog.

"The Diocess [sic.] of Toronto comprehends all that part of the former Province of Upper Canada or diocess [sic.] of Kingston to the west of the district of Newcastle, following, from Lake Ontario, the line which separates the Newcastle district from the Home district to lake Muskogo and then drawing a line in a north westerly direction thro' the Muskogo and Moon rivers and lakes to the mouth of the more westerly branch of the Two rivers" which empties itself into the Grand or Ottawa River."

Bishop Power Fonds, P AA06.01

Upper Canada, 1838. The line between the Diocese of Kingston and the Diocese of Toronto followed the line between the Home District and Newcastle District.

From the Economic Atlas of Ontario, 1969
As posted by the Archives of Ontario

2016:

The Archdiocese of Toronto stretches from the shores of Lake Ontario north to Georgian Bay covering a total of around 13,000 square kilometres. The current boundaries include the City of Toronto, the regional municipalities of Peel, York and Durham, as well as Simcoe County, and a portion of Dufferin County.

From the Archdiocese of Toronto Website.

Stats Then and Now:


1842
2016

Catholic Population


25,000

2,000,000

Number of Parishes


20

221

Number of Priests


25

800


A lot has changed in 175 years. The boundaries of the Archdiocese have gotten considerably smaller, while the Catholic population has increased exponentially. Mass was originally said in one language (Latin), and now more than 30 languages are used at 1,000 Masses per week. From Muddy York to the GTA, from the Home District to the Golden Horseshoe and beyond, we've come a long way.

Happy Anniversary, Archdiocese of Toronto! We can only imagine what changes, challenges and triumphs you will witness over the next 175 years.

For further information and insights, please see the historical timeline of the Archdiocese of Toronto.

Friday, 9 September 2016

Studying the early 20th century way

As many students return to the classroom this week, we wanted to share what it looked like to hit the books in the early 20th century. The photos below were taken while their subjects were studying at St. Augustine's Seminary in Scarborough.

Fr. Kirby as a Student
PH 26S/73P
[1913-1916]

Gerald Joseph Ignatius Kirby was ordained in 1916 and became Monsignor Kirby in 1946. As a young priest he was Chancellor and Secretary to Archbishop Neil McNeil and Rector of St. Michael's Cathedral. He also served as a Diocesan Consultor, was the Spiritual Director at St. Augustine's Seminary, and Dean of the West Toronto Deanery; to name just a few of the offices he held.


Hugh Gallagher of Orillia
PH 26S/80P
[1917-1924]

Hugh Francis Gallagher was ordained in 1924 and likewise had a storied life as a priest in the Archdiocese of Toronto. Most notably, he served as Director of the Catholic Charity Bureau in Toronto from 1932 to 1946. This body later became Catholic Charities of the Archdiocese of Toronto.

You may be using an entirely different type of notebook, but we hope these priestly examples of good study habits inspire you to work hard.

ARCAT wishes all students young and old the best with their studies this year!

Thursday, 17 December 2015

Our mother church in the midst of a facelift

Today marks 174 years since the Diocese of Toronto was established and Rev. Michael Power named its first bishop.

St. Michael's Cathedral, the mother church of the archdiocese, is currently closed for extensive renovations (although there is an Advent and Christmas mass schedule).  It is hoped that the refurbished cathedral will reopen in time to celebrate our dodransbicentennial in 2016.

Last week, the cathedral opened its doors for a two-day Open House, offering the general public a sneak peak at the restoration in progress. The event was very well attended, with ​more than 4,300 visitors in total. The artists, craftspeople and contractors involved with the project displayed examples of their work at various stations around the cathedral, which was easy to navigate in the absence of any pews.

The Ceiling
One of the most striking elements of the restoration is the ceiling of the Cathedral. Now almost completed, it has occupied the father and daughter team of artists for over a year. The blue panels with gold stars follows the spirit of the original ceiling, which was painted over in subsequent years.

Archives Staff photo

The currently restored ceiling of St. Michael's Cathedral. The blue background with gold stars is a traditionally Gothic feature, which is consistent with the church's architecture. The pattern was designed to have strong diagonal lines, created by outlining some of the stars in red.  This draws the eye upwards, giving a similar effect as Gothic vaulting.  
Photographs Special Collection, PH0001/165CP
Photograph of lithograph depicting Bishop John J. Lynch giving the veil to a novice of the Loretto Convent
by G. A. Binkert; printed by W. C. Chewett and Co., [between 1860 and 1868]

This rendering depicts the original painted ceiling of the Cathedral: gold stars on a blue field. 

Cathedral Interior
Archives Staff photo

Most of the interior pillars have been replaced with new concrete supports. These posts will eventually be boxed in decorative covers. 

Archives Staff photo

A sample of the new pews, which can be sponsored by the public.

Photo courtesy of the Office of Public Relations and Communications

New stained glass has been commissioned, including this rose window.

Archives Staff photo

A sample of the new tile floor and the wall panelling that will cover the now exposed brick, as seen in the background.

Archives Staff photo

Restored wooden statues of the saints, which will be returned to the new Gothic screen that stands behind the sanctuary.

Photo courtesy of the Office of Public Relations and Communications

Examples of the different stages of statue restoration.

Marian Bronze Doors
Archives Staff photo

Artist's sketchbooks of the new Marian bronze doors. The panels will depict the Marian Mysteries of the Rosary.


Archives Staff photo

The panels of the bronze doors are cast using a modern "lost-wax method".  The artist carves these maquettes and then they are cast in rubber to make a mould. Wax is poured into the rubber mould to create a wax replica.  The wax is coated in many layers of ceramic. When the ceramic is fired, the wax core melts, leaving a cavity into which molten bronze is poured. Once the bronze has solidified, the ceramic mould is chipped off.

Photo courtesy of the Office of Public Relations and Communications

The bronze panels will be protected with gold leaf. This is one of the final panels.  The doors will take two more years to complete as shown in the sketch.

The Roof
Archives Staff photo

A representative from Semple Gooder Roofing shows off a sample of the new slate roof.  The original slate shingles lasted 120 years before being replaced by a solid-coloured roof.  The new third roof will copy the decorative pattern of the original shingles, as determined from archival photos.
Once installed, slate shingles weigh 10 lbs per square foot.

Archives Staff photo

In the foreground are two pieces of carved stone which are part of the vertical elements in cathedral's roofscape.
On the right is an original stone that was in good shape and needed only minor restoration.  On the left is a newly hand-carved copy to replace a similar element that could not be salvaged.

The Crypt Chapel
Bishop Michael Power spearheaded the building of the cathedral in 1845, but he died of typhoid while ministering to Irish immigrants in 1847.  Though Bishop Power did not get to see St. Michael's completed, he is buried in the crypt under the church's main altar.  As part of the current renovations, the basement has been excavated an additional 17 feet to accommodate a chapel. Appropriately, Bishop Power's tomb will be a central feature in the new crypt chapel.

Photo courtesy of the Office of Public Relations and Communications

The entrance foyer to the new crypt chapel.

Photo courtesy of the Office of Public Relations and Communications

The tombs are protected while the crypt chapel is being constructed

Photo courtesy of the Office of Public Relations and Communications

The master stone carver stands beside his third-scale model of the pietà.  The final statue will stand in front of the tomb of the three Loretto Sisters who are buried in the crypt.  The IBVM was the first female order invited to Toronto.

Proposed Cathedral Centre
Photo courtesy of the Office of Public Relations and Communications

This is a concept model for a Cathedral Centre, just north of the church (photo centre).  The upper floors would contain administrative offices, while the street level floors would function as multipurpose space and include a large church hall.


For more media coverage of the Cathedral Open House: