Thursday, 29 September 2016

St. Michael’s Cathedral: Rededication of a Splendid and Noble Edifice

On September 29th, 1848, the Cathedral of the Diocese of Toronto was dedicated  to St. Michael by Bishop Ignace Bourget of Montreal. This Thursday, after six years of renovations and 168 years to the day later, it will be rededicated.

Original letterbook entry noting the dedication of the Cathedral.

September 29, 1848
Letterbook Collection, LB01.181

Second page of above entry.

Letterbook Collection, LB01.181 
Transcription:

L’an mil huit cent quarante huit, le vingt neuf Septembre,
Nous soussigné Evêque de Montréal, sur l’invitation de Mr J. J. Hay, ArchiDiacre, et Administrateur de ce Diocèse pendant la Vacance du siege Episcopal, avons, en presence des [?] et Révd mes R. Gaulin, Evêque de Kingston, P. Phelan, Evêque de Carrhae et Coadjuteur de Kingston, J. C. Prince, Evêque de Martyropolis et Coadjuteur de Montréal, et Jos. Bruno Guigues, Evêque de Bytown, et assisté de Mr. J. J. Vinet, Curé du Sault-au Récollet et de Mr. Madden Prêtre et Professeur du Collège de Kingston, consacré l’Eglise Cathédrale de cette ville, avec le maître autel, et y avons depose les Reliques de St Clément et de St Pierre Martyres; un nombreux clergé du Diocès et des Diocèses – Voisins, ainsi qu’un grand nombre de pieux Fidèles assistants à cette cérémonie.

Fait et passé à Toronto les jour et an que dessus, tout les dits Seigneurs Evêques et les Prêtres assistants signé avec nous.

+Remi Ev. De Kingston
+J.C. Ev. De Martyropolis
+Jos. Eugène Ev. De Bytown
+Ig. Ev. De Montréal

P. Lafrance

Translation:

The year one thousand eight hundred forty eight, the twenty ninth September, We undersigned Bishop of Montreal, on the invitation of Monseigneur J. J. Hay, Archdeacon, and Administrator of this diocese during the vacancy of the Episcopal seat, did, in presence of the [?] and Reverend Misters R. Gaulin, Bishop of Kingston, P. Phelan, Bishop of Carrhae and Coadjutor of Kingston, J. C. Prince, Bishop of Martyropolis and Coadjutor of Montreal, and Jos. Bruno Guigues, Bishop of Bytown, and assisted by Monseigneur J. J. Vinet, priest of Sault-au Récollet and of Monseigneur Madden priest and professor of the College of Kingston, consecrated the church cathedral of this city, with the high  altar, and deposited the relics of St. Clement and of St. Peter Martyrs; a number of clergy of the diocese and of the neighbouring Dioceses, and a large number of pious faithful assistants at this ceremony.

Done and passed at Toronto the day and year above, all the said lords, bishops and the priests assistants signed with us.

+Remi Ev. De Kingston
+J.C. Ev. De Martyropolis
+Jos. Eugène Ev. De Bytown
+Ig. Ev. De Montréal

P. Lafrance

St. Michael's Cathedral has been the centre of the spiritual life of Catholic Toronto for almost 170 years. Starting in 1845 at Bishop Michael Power's initiation, the city's faithful put their blood, sweat, and hard-earned wages into its construction.

ARCAT Parish Collection, St. Michael's Cathedral, Newsclippings
Toronto Mirror, September 7, 1848

Dedication of St. Michael’s Cathedral, Toronto
The Solemn Consecration and Opening for Divine Service of this noble Edifice, now erecting on Church Street, will take place on Michaelmas Day next, Friday the 29th instant. 
Several Bishops, as well of Canada as of the neighbouring Union, will be present: the august ceremonies will, therefore, be performed with all the dignity and grandeur which the Catholic Church employs upon these solemn occasions. 
As amongst the Dignitaries who will attend there are several who are well known for their learning and eloquence, there can be no hesitation in promising able expositions of the Catholic Faith and Discipline, in Discourses which will please, instruct, and edify.
It is the intention of the Building Committee to issue Tickets of Admission, for the Friday of the Consecration, and also for the Sunday following. Their chief motive in doing this, is to secure, as far as possible, the comfort of those who attend the services. The tickets are placed as low as a Dollar, for the Nave, or main body of the Church, and Half a Dollar for the Side-Aisles; but as there will doubtless be many persons present, who will be desirous of contributing more than the small sum paid for their Tickets of Admission, a Collection will be taken up in the usual manner, at the Offertory, on each day of Service; the proceeds of which, as well as of the tickets, will be applied towards the liquidation of the immense debt contracted for the erection of that splendid edifice.
Tickets can be procured at any of the Catholic Stores on King Street, and at the Episcopal Palace on Church Street.
Toronto, September 7, 1848

The city was a very different place in the 1840s, and the Cathedral has been witness to its growth and change. It has been the location of thousands of baptisms, weddings, and funerals. It is where the city has come together to worship, to celebrate, to mourn.

Looking north from St. Lawrence Market, with St. Michael's in the background.

1868
Photo by William Notman via Wikimedia Commons

St. Michael's Cathedral as in 1870

From Landmarks of Toronto: A Collection of Historical Sketches of the Old Town of York from 1792 until 1837, and of Toronto from 1834 to 1904 by John Ross Robertson, p. 308.
John Ross Robertson describes the Cathedral this way:

"St. Michael's Cathedral, modelled after York Minster, of England, is of the early decorated Gothic style of architecture of the 14th century, which is the adaptation of the classical Roman style to the requirements of Christian worship. The length of the nave is proportioned to its width, the height of the pointed arches and the predominancy of vertical lines give the interior of the cathedral a very artistic appearance. Then the innumerable graceful and fanciful spires and pinnacles, elaborately carved and gilded that carry the eye aloft until it is lost in the tracing and the variegated decorations of the arches and vaults commingling produce a pictorial effect. Throw upon this architectural panorama of beauty and grace a flood of sunlight that is changed in its transit through the many-hued colours of the windows until every beam becomes a rainbow of loveliness, and every flash of light a gleam of glory and the sight becomes unutterably entrancing."

The rededication and reopening of the mother church of the Archdiocese of Toronto on Thursday, September 29, 2016 is cause for great rejoicing and reflection. We are not only celebrating the restoration of this Gothic jewel, but also the reopening of a gathering place in the heart of the city of Toronto. The rededication of St. Michael’s Cathedral reaffirms a Catholic presence in the largest city in Canada and its intention to remain for another 168 years and beyond.

Friday, 23 September 2016

Feast of the Canadian Martyrs and the Church of the Gesù, Montreal

Monday, September 26 is the Feast of the Canadian Martyrs. Saints Jean de Brébeuf, Gabriel Lalemant, Charles Garnier, Antoine Daniel, Noël Chabanel, Isaac Jogues, René Goupil, and Jean de Lalande were all members of the Society of Jesus (Jesuits) and missionaries to New France in the early to mid-1600s.

Relics of Saints Charles Garnier, Gabriel Lalemant, and Jean de Brebeuf can be found at the Church of the Gesù (L'eglise du Gesù) in Montreal, which I had an opportunity to visit this summer. This impressive church was built as a chapel for the Jesuits and their students at College Sainte-Marie. Both the college and the church were built after the Jesuits returned to Canada in the 1840s. It is modeled after the Jesuit church in Rome of the same name in which St. Ignatius Loyola is buried.

I spent quite a bit of time at Le Gesù taking in the detail of the altar of the Canadian Martyrs located in the the North transept.

ARCAT staff photo taken June 2, 2016.
ARCAT staff photo taken June 2, 2016.
ARCAT staff photo taken June 2, 2016.


The church is notable for the use of the techniques trompe l'oeil and grisaille, which I found lovely. Though the ceiling and walls look as if they have sculpted elements, they are cleverly painted to appear three dimensional.
ARCAT staff photo taken June 2, 2016.
ARCAT staff photo taken June 2, 2016.
ARCAT staff photo taken June 2, 2016.
ARCAT staff photo taken June 2, 2016.
For more information about the Church of the Gesù, check the Archdiocese of Montreal's archives website, Info-Archives as well as the website of the Jesuits in Canada.

You can learn more about the Canadian Martyrs closer to home at Martyrs' Shrine in Midland, Ontario. Canada’s national shrine of the Canadian Jesuit Martyrs is located on a hill beside the historic site of Sainte-Marie-Among-the-Hurons where the Canadian Martyrs worked and where some were martyred. Explore the website of Martyrs' Shrine for detailed stories of each martyr.

Please remember St. Jean de Brébeuf, St. Gabriel Lalemant, St. Charles Garnier, St. Antoine Daniel, St. Noël Chabanel, St. Isaac Jogues, St. René Goupil, and St. Jean de Lalande in your prayers on the feast day of the Canadian Martyrs, Monday, September 26.

Friday, 16 September 2016

Taking a Closer Look at the Chasuble

This week, we'd thought we'd feature a few interesting chasubles that are in ARCAT's collection. For those of you who are unfamiliar with the chasuble, it is the liturgical vestment that is worn over other vestments, such as an alb, an amice, and a stole. Chasubles in the "Roman" style have a fiddleback shape in the front, whereas more contemporary chasubles are oval-shaped with a round hole in the middle for the head to pass through.

Chasubles come in many different colours, and some of them are very decorated with embroidery and needlework. Some are used for daily use, whereas others are for specific occasions. Below you will find five examples from here in the Archives.

This is a contemporary chasuble that was worn by Cardinal Ambrozic during a World Youth Day event in 2002. It is embroidered with grapes, wheat sheaves, leaves, and a cross.
Textile Artifact TX.25a

Closeup of the detail on Textile Artifact TX.25a

This funeral chasuble is made of heavy grey wool with grey darker trim. The purple felt applique contains embroidery.
Textile Artifact TX.50a
Closeup of the detail on Textile Artifact TX.50a

Donated by St. Joseph's Convent in 1988, this reversible chasuble was part of the Mass Kit used by the C.S.J. in teaching school children about liturgical objects.
Front and back of Textile Artifact TX12.a

This is an example of a wartime Chaplain's chasuble. It is a reversible set.
Textile Artifact TX.49a
Reversible side of Textile Artifact TX.49a

This chasuble from the early 20th century was removed from St. Margaret's Parish, Midland, after a fire in the 1980s. Though a bit stained, the chasuble and its detail are still impressive.
Front and back of Textile Artifact TX.08a
Closeup of the detail on Textile Artifact TX.08a
Closeup of the detail on Textile Artifact TX.08a

Friday, 9 September 2016

Studying the early 20th century way

As many students return to the classroom this week, we wanted to share what it looked like to hit the books in the early 20th century. The photos below were taken while their subjects were studying at St. Augustine's Seminary in Scarborough.

Fr. Kirby as a Student
PH 26S/73P
[1913-1916]

Gerald Joseph Ignatius Kirby was ordained in 1916 and became Monsignor Kirby in 1946. As a young priest he was Chancellor and Secretary to Archbishop Neil McNeil and Rector of St. Michael's Cathedral. He also served as a Diocesan Consultor, was the Spiritual Director at St. Augustine's Seminary, and Dean of the West Toronto Deanery; to name just a few of the offices he held.


Hugh Gallagher of Orillia
PH 26S/80P
[1917-1924]

Hugh Francis Gallagher was ordained in 1924 and likewise had a storied life as a priest in the Archdiocese of Toronto. Most notably, he served as Director of the Catholic Charity Bureau in Toronto from 1932 to 1946. This body later became Catholic Charities of the Archdiocese of Toronto.

You may be using an entirely different type of notebook, but we hope these priestly examples of good study habits inspire you to work hard.

ARCAT wishes all students young and old the best with their studies this year!

Friday, 2 September 2016

We've Been Having Fun All Summer Long

On the old Welland canal - Martindale
Port Dalhousie in distance

Monsignor Clair Collection
[1910-1920]

Time to get in some canoeing while you still can. Have a great long weekend!

Friday, 26 August 2016

A Place of Rest and Quiet

On August 28, 1913, St. Augustine's Seminary was dedicated. We have posted many photos of the Seminary and its students in the past, and this week we are featuring the Seminary's chapel. Architect A.W. Holmes drew inspiration for St. Augustine's from Cattedrale di Santa Maria del Fiore in Florence, Italy. It is speculated that the chapel was inspired by another Florentine church, the Basilica of San Lorenzo.

From The People Cry: Send Us Priests: The First Seventy-Five Years of St. Augustine's Seminary of Toronto, 1913-1988, p. 24-26 by Rev. P.J. Carefoote:

"...Fittingly, the Chapel forms the 'heart' of the central Seminary building, intersecting it in the centre of its three hundred and fifty-six foot length. The Chapel is one hundred and four feet long and forty feet wide, accommodating a congregation of up to 220 people... The original sanctuary with its clean lines and very clear focus was a visual lesson on the Eucharist in itself. Its only decoration was the German stained-glass windows of such topics as "Sacrifice of Melchizedek," "The Crucifixion" and "The Last Supper" by Mayer and Company. The sanctuary depiction of the Incarnation, when the Word was made flesh, continues the ancient tradition in the Church of highlighting that space where the Word is made truly present again and again."

A hand-coloured black and white photo of a liturgical event in the Seminary chapel.

St. Augustine's Seminary Photograph Collection

[1913-1959]

A hand-coloured black and white photograph of the high altar.

St. Augustine's Seminary Photograph Collection

[1913-1959]


"The original suggestion made by Mayer and Company for the four rose windows was to portray the four great doctors of the Church. While this would certainly have harmonized with the heavenly patronage of Augustine, it would not have been faithful to the underlying decorative schema. Instead, the symbols of the four evangelists are rendered, again accenting the apostolic endeavor of this institution to preach the Word, thereby making Christ present in the world forever..."

St. Augustine's Seminary Photograph Collection

"A major renovation of the Chapel was directed in 1959 under the technical advice of Sir James Haffa, Architect. Retaining the steps and mensa of the original marble altar, the main altar and reredos were remodeled using a variety of shades and textures of polished marble... The marble statue of St. Augustine... was removed and the space filled in so that an Italian marble crucifix could be erected. Added to each side of the reredos were wooden statues of Saints Augustine and Monica."

A view of the organ loft.

"As the "house of God and gate of heaven" this chapel, then, is an overall success ...Of it can be sung ... "How lovely is thy dwelling place, O Lord of Hosts!" ... This holy place is a place of rejoicing, where God makes himself present in the word of his Apostles and prophets and in the Sacrament of the Altar. It is a place of rest and quiet where God is encountered in peace. It is a place where the Most High dwells among his children."

PH 26A/04CP
1982

"In 1964 the seating was altered from choir stalls to congregational arrangement, which is excellent for participation in the Eucharist and for private devotion, bit is not the happiest arrangement for the Divine Office. At this date, also, the marble altar was replaced by the present granite table, with the central, 'chi-rho' panel of the old high altar coming into new use as the altar of reservation. In general, however, the Chapel has a very prayerful mood about it, owing to its colour scheme and the chastity of its clean design and decoration."

For more on St. Augustine's Seminary, check their website.

Friday, 19 August 2016

ARCAT Goes to The Ex

The 2016 Canadian National Exhibition (CNE) -- or The Ex, as we all know it -- opens today in Toronto. This annual tradition, formerly called the Toronto Industrial Exhibition, started in 1879 and is Canada's largest community event. To celebrate the CNE, here are some photographs from ARCAT's collection of other events that have happened on the CNE grounds.

Despite the Canadian military occupying parts of the CNE grounds during World War I, the CNE continued to be held each year. During World War II, however, the entirety of the CNE grounds was used by the military, so the fair was not held during those years. A rally and a mass were held at the Stadium for the soldiers in 1944.

Soldiers' Rally and Mass, CNE Stadium, 1944
Note the ad for cigarettes way in the back at the top of the stadium.

PH09W/56P
Soldiers' Rally and Mass, CNE Stadium, 1944

PH09W/59P
Soldiers' Rally and Mass, CNE Stadium, 1944
Note the other interesting ads in the background.

PH09W/25P
Soldiers' Rally and Mass, CNE Stadium, 1944
Rosary created by humans and sheets

Photo credit: Pringle & Booth Ltd., Toronto

PH09W/27P

Cardinal McGuigan participated in the Rosary Crusade in Toronto.
Cardinal McGuigan at the Rosary Crusade, CNE Stadium, ca. 1961

PH09R/78P

Every opening day must have a ceremony!
Archbishop Pocock sits third from right at the opening day ceremonies
at the CNE bandshell, August 15, 1974

PH14D/12CP

Pope John Paul II attended the Polish Rally at the CNE Stadium during his Papal Visit to Canada in 1984.
Pope John Paul II speaks to a large crowd at the Polish Rally,
CNE Stadium, September 14, 1984

Photo credit: Foto Felici, Rome

PH65/317CP

The CNE runs for 18 days. More information about the CNE, including its long and interesting history, can be found on their website. Let's go to The Ex!